I am an assistant professor of ethnomusicology in the School of Music at the University of Maryland, College Park. I specialize in Romani musics, language and semiotics, race and ethnicity, and citizenship.
My research in ethnomusicology and linguistic anthropology explores relationships between cultural production, race, and politics. I focus on how Romani (“Gypsy”) groups use music and language to advance their own sociopolitical and economic interests. My new book, Django Generations: Hearing Ethnorace, Citizenship, and Jazz Manouche in France (University of Chicago Press, 2021), shows how music and language shape senses of ethnoracial and national belonging among French Manouche populations. Through ethnographic, performance-based, and archival research methods, my work takes an interdisciplinary approach to the politics of expressive practices and the commodification of culture. I have published in Ethnomusicology, The Journal of the American Musicological Society, Popular Music and Society, Ethnic and Racial Studies, and Jazz and Culture. I am co-founder and Principal Coordinator of the Initiative for Romani Music at New York University, an organization that brings together scholars, artists, and community members to raise awareness about Romani musics and cultures. I am also a Curator of the Music section of RomArchive , the first digital archive of Romani arts and cultures led in large part by Roma. I earned my Ph.D. from the Department of Music at New York University and am also a violinist, violist, and vocalist in a variety of genres.
My full name is pronounced “seev broon lee.” My pronouns are she, her, and hers.